Altered Dominant Chords And Scales
This is my practice routine for getting altered dominant (#5, #9 chords specifically) rootless closed-voicing chords, and diminished whole-tone scales (sometimes referred to as the 7th mode of the melodic minor scale) under my fingers and in my brain. You can get such a hip sound in your playing if you understand how these notes function in each key.
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Tags: jazz, lesson, harmony, chords, scales, altered, dominant