"Who's Lovin' You" is a Motown soul song, written in 1960 by William "Smokey" Robinson. The song has been recorded by many different artists including The Miracles, who recorded the 1960 original version, The Temptations, The Supremes, Terence Trent D'arby, Brenda and The Tabulations, John Farnham, Human Nature, En Vogue, Michael Bublé and Giorgia Todrani and Jessica Mauboy. The most famous version is attributed to The Jackson 5.
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In this video, we pick apart Bill's 1962 recording of Danny Boy from the album Empathy that he made with Shelly Manne and Monty Budwig. We uncover some important elements of his solo piano playing, as well as some insight into his trio playing. The most important element of this recording in my opinion is the way he makes you...........wait for it.
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In this third episode, my son, Louis helps me show how to find the third or the "mi" to start recognizing where to begin making up your own harmony. Try to put yourself in his spot and predict the notes he sings before he sings them...and then we leave room for you at the end for you to sing a note on your own, in three part harmony with us!
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With a Straight No Chaser twist. Catch Skirt & Suit live in LA. Follow us on twitter: @skirtsuit1 Follow us on instagram: @skirtandsuit
Skirt & Suit is Aimee Nolte and Joshua Payne.
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If you've ever wondered how to get away from sheet music, and play by ear, this is the spot for you! Get away from that written music. It's holding you back! There's a whole world of melodies and harmonies for you discover, and they are already IN YOUR HEAD! Learn how to transfer them to your fingers.
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This is what I think about scales. What are they good for? When should you use them? Which ones should you use? My philosophy about these questions and how I teach my students to learn and use scales. See also How to practice major scales.
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All The Things You Are: Jazz Improvisation Lesson - For instrumentalists and singers: A very detailed look at the first 8 bars of the popular standard. Discussion includes a very melodic and "ears" approach, modes to use, chord tones to aim for, bebop lines and how to create them, and rhythmic placement of lines to add an element of surprise to your solo.
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This is an exercise that takes you through all 12 keys, using a minor ii V i lick, that will help you to be able to hear an altered dominant extension...a triad, based on the flat five of the dominant chord. I like this one because it's melodic and pretty and can be easily used in improvisation while soloing over tunes.
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